Reims, France. Une citoyenne, connaisseuse et amateur d'art, envoie une lettre de désapprobation au Ministère de la Culture français et à la direction du FRAC Champagne-Ardenne. Dans cette lettre on y trouve l’indignation d’une personne >>>

In SuccoAcido’s years-long quest in search for - independent, non-profit, interdisciplinary - Art Places, Komplot in Brussels stands out as a very interesting model of collective management. One of its most defining elements is mentioned in the >>>

Un modello di progettazione indipendente ma integrata nel contesto istituzionale; un progetto basato sulla ricerca e sull’approccio multidisciplinare al tema del paesaggio e del territorio visti in chiave culturale e artistica; una proposta di >>>

The following interview is the result and synthesis of an exchange – started in 2009 – between Succoacido and Gulsen Bal, curator and contemporary art theorist and also founder of the non-profit Open Space in Vienna. The Open Space project was >>>

The Museum of Migrations could be a first piece to lead Lampedusa’s development along a purposeful path, instead of leaving it to randomness: it could be an example to the whole world, seeing integration as an inevitable, but nonetheless rightful >>>

Un esempio tra i pochi, nel sud Italia, di una politica museale volta allo sviluppo integrato della ricerca storica e della cultura attuale, con un’attenzione spiccata per i processi socio-politici che connettono la dimensione locale del >>>

Girem la mirada cap a un espai cultural independent a Europa. La nostra investigació es dirigeix ara cap a l'espai polivalent Niu, a Barcelona. Mitjançant una entrevista amb el director Sergi Bueno Navarro, aquest ens explica com fer un art >>>

"La idea que la cultura forma parte integrante de los derechos de los ciudadanos es muy lejos de ser un hecho real: ni siquiera los ciudadanos mismos tienen una clara percepción de sus necesidades culturales y, por eso, las instituciones no se >>>

Leiterin für Projektentwicklung und Programme
„Meine Initiative folgt der Intention, sowohl unterschiedliche kreative Praktiken zusammen zu führen als auch reale und virtuelle Foren der Zusammenarbeit zu schaffen, Räume zu öffnen, um >>>

Interview à Anne Langlois, conservatrice de 40mcube: un espace expositif très important de Rennes, partagé à sa fois dans trois sièges différentes, ça se présente comme une construction aux >>>

"In our case, it’s about being a bridge to take what there’s in Rome outside Rome, and vice-versa; we wish that this is being understood by the city as a positive gesture, aimed to widen the communication and collaboration forms between Rome and >>>

A Lisboa 20 surgiu como um projecto pioneiro na medida em que quando a galeria foi criada não possuía um espaço próprio onde realizar exposições. O projecto, iniciado por Miguel Nabinho, actual director da Lisboa 20 Arte Contemporânea, trabalhava >>>

One of New York's oldest non-profit galleries
“Artists Space – that name is what it should always be about: artists”

Intervista a Mario Cristiani, Lorenzo Fiaschi, Maurizio Rigillo: Galleria Continua, nella splendida San Gimignano.