° FUNding FACTORY, 8 May–30 May 2009
Opening: 7 May 2009, 19.00 – 21.30
Project initiated by: Sophie Hope
Contributors include: Fahim Amir, Fatih Aydogdu, Gulsen Bal, Barbara Holub, Fran Hope, Domenico Mühle, Tina Raffel, Walter Seidl, Christoph Srb, Corina Vetsch and Reinhold Zisser
How do you negotiate the cultural production line? The FUNding FACTORY attempts to interrogate the desire that many artists share: to disrupt expectations of the function of art whilst fighting for the right to be paid to do that dismantling.
In May 2009, Open Space - Zentrum für Kunstprojekte in Vienna will be transformed into a factory for the metaphorical mixing, compressing, tinkering, testing, rejecting, approving, wrapping, labeling, packaging and distributing of culture.
The global promotion of the ‘creative industries’ creates a normalised climate of justifying cultural production in terms of economic viability and an artists’ ‘employability’. Artists are reluctantly embracing the opportunity to make a living using the skills or tools of their trade. A common reaction to this commercialisation of culture, is also to try and salvage art from its use-value by burying our heads in the sand or jumping through hoops in the hope that this will allow us to continue practicing our so-called political and critical independent art practices.
Instead, how can we realise our complicity in this process and face head on the dilemmas of commissioned, marketable and profitable critical and political cultural production? What are the consequences of the successful fight for the professionalisation of art practices as a valid career option?
The factory will be a site to reflect on the issues of the cultural production line we are a part of and how we understand our work to be relevant and critical. It invites us to question the mechanisms of cultural production, creative industries and art commissioning that we rely on, supply and continue to challenge.
Found, discarded and donated material from skips, studios and galleries is recycled to build the make-shift cultural production line. Embedded in the factory are video portraits of staff and associates of Open Space about their experiences of negotiating these dilemmas of survival, ideology and criticality. Students at the University of Applied Arts have been invited to intervene into the factory to reflect on their own positions as future ‘creative industry-workers’.
What rules do you apply to your working practices as artists, curators, activists, funders or commissioners?
supported by:
BM:UKK Universität für angewandte Kunst Wien
About us: Open by appointment only, admission free
Open Space Zentrum für Kunstprojekte Lassingleithnerplatz 2 Wien 1020 Austria
(+43) 699 115 286 32
for more info: office@openspace-zkp.org
http://www.openspace-zkp.org
Open Space - Zentrum für Kunstprojekte aims to create the most vital facilities for art concerned with contributing a model strategy for cross-border and interregional projects on the basis of improving new approach.
And for more info:
http://fundingfactory.blogspot.com http://www.welcomebb.org.uk
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