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Art News - Exhibitions | by nomasfoundation in Art News - Exhibitions on 22/02/2014- Comments (0)
 
To continue. Notes towards a Sculpture Cycle. First chapter: Matter
Through itineraries around the city, a public programme of lectures in collaboration with Galleria Nazionale d’Arte Moderna, visits to artists studios and specific collections. The aim of these lectures, was to examine works on the basis of the working methods used by the artists, while also seeking out lines of continuity and rupture throughout the history of art, from the Archaic period to the present day. In a similar manner, this first episode looks at how works are made, and how their material presence determines their appearance and the way they are perceived.
 
 
Curated by Cecilia Canziani and Ilaria Gianni
Assistant curators Michela Tornielli and Stefano Vittorini


February 26 to April 5|Matter
April 17 - May 27|Vision
June 5 - July 25|Scale

To continue. Notes towards a Sculpture Cycle continues Nomas Foundation’s ongoing investigation on visual art’s languages, following A Theatre Cycle, 2013; A Painting Cycle, 2012; A Film Cycle, 2011; A Performance Cycle, 2010.

To continue. Notes towards a Sculpture Cycle is a research-based project inspired by a core group of works from the Nomas Foundation collection, which focuses on sculpture, organised in three chapters, each dedicated to a specific aspect of the medium. Through itineraries around the city, a public programme of lectures in collaboration with Galleria Nazionale d’Arte Moderna, visits to artists studios and specific collections, To continue. Notes towards a Sculpture Cycle aims to build a dialogue between the present and the past, between the Foundation and the narrative texture of the city.

Matter, the first episode of To continue. Notes towards a Sculpture Cycle, is inspired by the famous series of lectures held by Rudolf Wittkower at Cambridge University in 1970-71. The aim of these lectures, was to examine works on the basis of the working methods used by the artists, while also seeking out lines of continuity and rupture throughout the history of art, from the Archaic period to the present day. In a similar manner, this first episode looks at how works are made, and how their material presence determines their appearance and the way they are perceived. The solid and the void, to carve or to shape, are still the constituent elements of sculpture today – whether the artist works with traditional materials or whether he inscribes the form within a space, or even when giving shape to data, images and sounds that constitute a new and potential matter.
(to continue)

Exhibition:
Giorgio Andreotta Calò, Rossella Biscotti, Chiara Camoni, William Cobbing, Michael Dean, Luisa Gardini, Helena Hladilová, Oliver Laric, Else Leirvik, Nicola Pecoraro, Diego Perrone, Timur Si-Qin, Jesse Wine.

References:
On the occasion of the opening a rare documentary dedicated to the Italian sculptor Medardo Rosso, realised for the RAI in 1959 by Alberto Martini, historian and art critic, will be shown.

In collaboration with:
Galleria Nazionale d'Arte Moderna, Rome

Technical Sponsor:
www.whisper-system.net

Drinks thanks to:
Camillo Aldobrandini
 
 
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INFOS
PERIOD: from 26/02/2014 to 05/04/2014
CITY: Rome
NATION: No Country
VENUE: Nomas Foundation
ADDRESS: viale somalia, 33
TELEPHONE: 0686398381
FAX:
EMAIL: info@nomasfoundation.com
WEB: www.nomasfoundation.com
INSERTED BY: nomasfoundation
 
Micheal Dean, (Untitled) Analogue Series, 2010
 
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